{"id":9322,"date":"2020-06-25T16:39:54","date_gmt":"2020-06-25T14:39:54","guid":{"rendered":"https:\/\/www.folamour.fr\/?p=9322"},"modified":"2020-06-25T16:43:17","modified_gmt":"2020-06-25T14:43:17","slug":"once-upon-a-time-loveless","status":"publish","type":"post","link":"https:\/\/www.folamour.fr\/en\/2020\/06\/25\/once-upon-a-time-loveless\/","title":{"rendered":"ONCE UPON A TIME… LOVELESS"},"content":{"rendered":"[vc_row][vc_column][vc_empty_space height=”100px”]
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ONCE UPON A TIME... LOVELESS<\/h3>\n\n\t\n\t\n\t\t\t

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Director<\/td>\nOlivia Mokiejewski<\/td>\n<\/tr>\n
Writer<\/em><\/td>\nOlivia Mokiejewski & Serge July<\/td>\n<\/tr>\n
Original score
\n<\/em><\/td>\n		Olivier Depardon<\/td>\n<\/tr>\n
Image<\/em><\/td>\nYann L’H\u00e9noret<\/td>\n<\/tr>\n
Editing<\/em><\/td>\nIsabelle Martin<\/td>\n<\/tr>\n
Graphic design<\/em><\/td>\nAm\u00e9lie Vappereau<\/td>\n<\/tr>\n
Length<\/em><\/td>\n52\u2032<\/td>\n<\/tr>\n
Format<\/em><\/td>\nHDCam, 16\/9e<\/td>\n<\/tr>\n
Versions<\/em><\/td>\nFrench and English<\/td>\n<\/tr>\n
Copyrights<\/em><\/td>\nFolamour \u2013 ARTE France – 2020<\/td>\n<\/tr>\n
Broadcaster<\/em><\/td>\nARTE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Protagonists :<\/em><\/strong>\u00a0<\/em><\/strong><\/p>\n

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  • Andre\u00ef ZVIAGUINTSEV, director of “Loveless”<\/li>\n
  • Mariana SPIVAK, actress, plays Genia<\/li>\n
  • Alexe\u00ef ROZINE, actor, plays Boris<\/li>\n
  • Alexander RODNIANSKI, producer of “Loveless”<\/li>\n
  • Anton DOLINE, cinema critic<\/li>\n
  • Mikhail KRITCHMAN, director of photography of the film<\/li>\n
  • Grigori SERGUEEV, founder of Liza Alert<\/li>\n
  • Anna CHEGREEVA & Dmitri ISSAEV, Liza Alert volunteers<\/li>\n<\/ul>\n<\/div>\n\n<\/div>
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    In Moscow, a couple is in the midst of a divorce. Their unwanted and unloved son endures the situation in silence, until the day he disappears on his way home from school…Jury Prize at Cannes in 2017, “Loveless” is a dark portrait of Putin’s Russia. This documentary, shot entirely in Moscow, shows how “Loveless” is a critique of contemporary consumerist individualism and confirms the place of Andre\u00ef Zviaguintsev as the leader of new Russian cinema.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n