{"id":9318,"date":"2020-06-25T17:13:40","date_gmt":"2020-06-25T15:13:40","guid":{"rendered":"https:\/\/www.folamour.fr\/?p=9318"},"modified":"2020-06-25T17:31:38","modified_gmt":"2020-06-25T15:31:38","slug":"once-upon-a-time-the-square","status":"publish","type":"post","link":"https:\/\/www.folamour.fr\/en\/2020\/06\/25\/once-upon-a-time-the-square\/","title":{"rendered":"ONCE UPON A TIME… THE SQUARE"},"content":{"rendered":"[vc_row][vc_column][vc_empty_space height=”100px”]
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ONCE UPON A TIME... THE SQUARE<\/h3>\n\n\t\n\t\n\t\t\t

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Director<\/td>\nManuelle Blanc<\/td>\n<\/tr>\n
Writer<\/em><\/td>\nManuelle Blanc & Serge July<\/td>\n<\/tr>\n
Original score
\n<\/em><\/td>\n		St\u00e9phanie Blanc & J\u00e9r\u00f4me Levatois<\/td>\n<\/tr>\n
Image<\/em><\/td>\nJulien Pamart<\/td>\n<\/tr>\n
Editing<\/em><\/td>\nBarbara Bascou<\/td>\n<\/tr>\n
Documentalist <\/em><\/td>\nAmelie Sourice<\/td>\n<\/tr>\n
Length<\/em><\/td>\n52\u2032<\/td>\n<\/tr>\n
Format<\/em><\/td>\nHDCam, 16\/9e<\/td>\n<\/tr>\n
Versions<\/em><\/td>\nFrench<\/td>\n<\/tr>\n
Copyrights<\/em><\/td>\nFolamour \u2013 ARTE France – 2020<\/td>\n<\/tr>\n
Broadcaster<\/em><\/td>\nARTE – YLE – SVT<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Protagonists :<\/em><\/strong>\u00a0<\/em><\/strong><\/p>\n

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  • RUBEN \u00d6STLUND, director of “The Square”<\/li>\n
  • Kalle BOMAN, artistic director on “The Square”<\/li>\n
  • Claes BANG, actor plays Christian<\/li>\n
  • Josefin ASBERG, key set decorator<\/li>\n
  • Joakim PALME, political scientist<\/li>\n
  • Ann Sofi NORING, director of Modern Art Museum in Stokholm<\/li>\n<\/ul>\n<\/div>\n\n<\/div>
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    Winner of the Palme d’Or at the 2017 Cannes Film Festival, “The Square”, Swedish director Ruben \u00d6stlund’s fourth feature film, is a fierce satire of the contemporary art world. By questioning the creative process of a director who is a sociology aficionado, this documentary shows how “The Square” also criticizes contemporary Sweden: this cradle of Scandinavian social democracy is today being plagued by the rise of individualism, the increase in inequalities and the emergence of mendicancy.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n