{"id":8301,"date":"2019-04-24T10:37:04","date_gmt":"2019-04-24T08:37:04","guid":{"rendered":"https:\/\/www.folamour.fr\/2019\/04\/24\/vassili-silovic\/"},"modified":"2020-06-25T19:00:32","modified_gmt":"2020-06-25T17:00:32","slug":"vassili-silovic","status":"publish","type":"post","link":"https:\/\/www.folamour.fr\/en\/2019\/04\/24\/vassili-silovic\/","title":{"rendered":"VASSILI SILOVIC"},"content":{"rendered":"[vc_row css=”.vc_custom_1555402640080{margin-top: 70px !important;}”][vc_column]
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VASSILI SILOVIC<\/h3>\n\n\t\n\t\n\t\t\t

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Vassili Silovic was born in 1964 in Yugoslavia. After the disappearance of this country, he became a Croatian with a Slovenian passport, whose mother tongue was Italian and who grew up in Germany. It was in Munich that his career as a film director began with a series of portraits of artists (Paul Poiret, Nino Rota). Having no homeland, and in love with Paris for a long time, he decided to settle in the French capital in 1993.<\/p>\n

At that time, Oja Kodar, “Orson Welles’ \u201cwidow”, had just entrusted him with the unfinished works of the famous filmmaker. Thank to ARTE, a major co-production was developed around “Orson Welles – The one man band” presented at the Venice Film Festival in 1995.<\/p>\n

Since then, V. Silovic has directed about twenty documentaries, always focusing on the art – of filming (The White Ribbon), a film about Michael Haneke’s film, 2013), of conning (“Barry Gray, Profession crook\u201d) , 1996), of eating (“dirty trick”, 1996), of getting married (“Let’s Get Married!\u201d), 1999), doing business (“While waiting for Tapie\u201d, 2001, “the RER D case\u201d, 2005, “Business trip in the Mediterranean\u201d, 2013), of lying (“Starck vs. Starck”, 2007), of playing football (“Go Om!\u201d, 2004), of writing (“Best-seller at all costs\u201d, 2006), of travelling – in short, of surviving any way possible.<\/p>\n

Ten years after Hurricane Katrina, “Only New Orleans” relates a miracle: how music and culture (for once) were able to save the city after the disaster. In 2016, he co-directed “A day in Germany” and in 2019, “24 hours Europe”.<\/p>\n

For folamour, Vassili Silovic directed “Once upon a time…The white ribbon<\/strong>” (collection A film & its era<\/strong>, 2013) and an episode of the series “The genius loci”: “The school of the future in Zurich<\/strong>” (2017).<\/p>\n

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