{"id":8182,"date":"2019-04-30T00:37:21","date_gmt":"2019-04-29T22:37:21","guid":{"rendered":"https:\/\/www.folamour.fr\/2019\/04\/30\/il-etait-une-fois-la-reine-margot\/"},"modified":"2020-06-25T12:38:51","modified_gmt":"2020-06-25T10:38:51","slug":"il-etait-une-fois-la-reine-margot","status":"publish","type":"post","link":"https:\/\/www.folamour.fr\/en\/2019\/04\/30\/il-etait-une-fois-la-reine-margot\/","title":{"rendered":"ONCE UPON A TIME… QUEEN MARGOT"},"content":{"rendered":"[vc_row css=”.vc_custom_1555402702391{margin-top: 70px !important;}”][vc_column]
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ONCE UPON A TIME... QUEEN MARGOT<\/h3>\n\n\t\n\t\n\t\t\t

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\u00a0Watch the film<\/strong><\/a><\/p>\n<\/div>\n\n[vc_empty_space]

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Buy the DVD<\/strong><\/a><\/p>\n<\/div>\n\n[\/vc_column][vc_column width=”3\/4″]

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Director<\/td>\nGuillaume Moscovitz<\/td>\n<\/tr>\n
Authors<\/td>\nGuillaume Moscovitz and Serge July<\/td>\n<\/tr>\n
Image<\/td>\nEmmanuelle Collinot, Olivier Cousin<\/td>\n<\/tr>\n
Sound<\/td>\nThierry Blandin, Jo\u00ebl Flescher<\/td>\n<\/tr>\n
Editing<\/td>\nBarbara Bascou<\/td>\n<\/tr>\n
Length<\/td>\n52 minutes<\/td>\n<\/tr>\n
Format<\/td>\nHD Cam, 16\/9e<\/td>\n<\/tr>\n
Version<\/td>\nFrench<\/td>\n<\/tr>\n
Copyrights<\/td>\nFolamour \u2013 Ina \u2013 2013<\/td>\n<\/tr>\n
Broadcaster<\/td>\nFRANCE 5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\n
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Protagonists :<\/em><\/strong><\/p>\n

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  • Patrice CHEREAU, director<\/li>\n
  • Dani\u00e8le THOMPSON, screenwriter<\/li>\n
  • Antoine de BAECQUE, historian and film critic<\/li>\n
  • Dominique BLANC, actress, role of Henriette de Nevers<\/li>\n
  • Jean-Hugues ANGLADE, actor, role of Charles IX<\/li>\n
  • Daniel AUTEUIL, actor, role of Henri de Navarre<\/li>\n
  • Pierre GRUNSTEIN, Executive Producer<\/li>\n
  • Goran BREGOVIC,\u00a0composer of the film music<\/li>\n
  • Fran\u00e7ois G\u00c9DIGIER, editor<\/li>\n<\/ul>\n<\/div>\n\n<\/div>
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    Portrait of a film<\/strong>: Released in 1994, Queen Margot<\/em> is Patrice Ch\u00e9reau’s fifth film, inspired by a novel by Alexandre Dumas Sr. and co-written with Dani\u00e8le Thompson. It tells the story of Henri IV, a Protestant, who came to power thanks to his marriage to the Catholic Marguerite de Valois. A political marriage, intended to appease inter-religious conflicts but which leads to a massacre on the night of St. Bartholomew’s Day. This costume film brought together a plethora of actors (Isabelle Adjani, Daniel Auteuil, Vincent Perez, Virna Lisi, Jean-Hugues Anglade, Dominique Blanc, Jean-Claude Brialy) for high budget shooting (150 million francs). The film went on to win the Jury Prize and the Best Actress Award (for Virna Lisi) at the Cannes Film Festival and five C\u00e9sars the following year.<\/p>\n

    Portrait of an era<\/strong>: Although it is a costume drama, Queen Margot<\/em> resonates with echoes of contemporary history. Patrice Ch\u00e9reau and Dani\u00e8le Thompson explain that they were influenced by the events related to the death of Imam Khomeini in Iran, the fake Timisoara massacre in Romania, and the civil war between Catholics, Orthodox and Muslims in former Yugoslavia. It is no coincidence that the film’s music was composed by Goran Bregovic, born in Sarajevo to a Serbian mother and a Croatian father, and married to a Muslim woman. The film was also released in the year of the Rwandan genocide. For Ch\u00e9reau, barbarism is a “very close”, very contemporary reality.<\/p>\n

    Portrait of a filmmaker<\/strong>: Patrice Ch\u00e9reau is 50 years old in 1994. An actor as well as a theatre and opera director, he staged Wagner’s Tetralogy at the Bayreuth Opera House (1976-1980), before being appointed director of the Th\u00e9\u00e2tre des Amandiers in Nanterre (1982-1990). In 1974, he shot his first film, The Flesh of the Orchid<\/em>, before directing Judith Therpauve<\/em> (with Simone Signoret), The Wounded Man<\/em>\u00a0 (C\u00e9sar for best screenplay in 1983) and finally H\u00f4tel de France<\/em> . Patrice Ch\u00e9reau is a politically committed artist, firmly rooted in his time (he has been campaigning for the equal rights of gays and lesbians). He always adopts a contemporary perspective when directing his productions with or without costumes.<\/p>\n<\/div>\n\n<\/div>\t\n\t<\/div>\n<\/div>\n\n[vc_video link=”https:\/\/vimeo.com\/347043221″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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