{"id":8108,"date":"2019-04-30T01:03:31","date_gmt":"2019-04-29T23:03:31","guid":{"rendered":"https:\/\/www.folamour.fr\/2019\/04\/30\/il-etait-une-fois-mustang-2\/"},"modified":"2020-06-25T13:53:11","modified_gmt":"2020-06-25T11:53:11","slug":"il-etait-une-fois-mustang-2","status":"publish","type":"post","link":"https:\/\/www.folamour.fr\/en\/2019\/04\/30\/il-etait-une-fois-mustang-2\/","title":{"rendered":"ONCE UPON A TIME\u2026 MUSTANG"},"content":{"rendered":"[vc_row css=&#8221;.vc_custom_1555402702391{margin-top: 70px !important;}&#8221;][vc_column]<div  class=\"heading-wrapper text-left\"  >\n\t\n\t<h3 class=\"second-title text-left\">ONCE UPON A TIME\u2026 MUSTANG<\/h3>\n\n\t\n\t\n\t\t\t<p class=\"subtitle\"><\/p>\n\t<\/div>\t\n\n[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;8109&#8243; img_size=&#8221;full&#8221;]<div id=\"argenta-custom-69e18e8c6e746\"  >\n\t<p style=\"text-align: center;\"><strong style=\"font-size: 18px;\"><a href=\"https:\/\/boutique.arte.tv\/detail\/il_etait_une_fois_mustang\" target=\"_blank\" rel=\"noopener noreferrer\">Watch the film<\/a><\/strong><\/p>\n<\/div>\n\n[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"tab-box tab-box-material\" id=\"argenta-custom-69e18e8c6e846\" data-tab-box=\"true\"  >\n\t<div class=\"tab-box-buttons\" data-tab-box-buttons=\"true\" role=\"tablist\">\n\t\t\t<\/div>\n\t<div class=\"tab-box-content\" data-tab-box-content=\"true\" role=\"tabpanel\">\n\t\t<div class=\"tab-box-item\" data-tab-box-title=\"Datasheet\" id=\"1554716602073-283e24cc-2126\">\n\t<div id=\"argenta-custom-69e18e8c6eb47\"  >\n\t<table width=\"939\">\n<tbody>\n<tr>\n<td><em>Director<\/em><\/td>\n<td>Amine Mestari<\/td>\n<\/tr>\n<tr>\n<td><em>Writers<\/em><\/td>\n<td>Amine Mestari and Serge July<\/td>\n<\/tr>\n<tr>\n<td><em>Original Score<br \/>\n<\/em><\/td>\n<td>La Fugitive<\/td>\n<\/tr>\n<tr>\n<td><em>Image<\/em><\/td>\n<td>Eric Genillier, Olivier Raffet, Julien Royer, Guillaume Tunzini<\/td>\n<\/tr>\n<tr>\n<td><em>Sound<\/em><\/td>\n<td>Thierry Blandin, Denis Lepeut<\/td>\n<\/tr>\n<tr>\n<td><em>Editing<\/em><\/td>\n<td>Isabelle Martin, Serge Turquier<\/td>\n<\/tr>\n<tr>\n<td><em>Length<\/em><\/td>\n<td>52\u2032<\/td>\n<\/tr>\n<tr>\n<td><em>Format<\/em><\/td>\n<td>HDCam, 16\/9e<\/td>\n<\/tr>\n<tr>\n<td><em>Versions<\/em><\/td>\n<td>French and English<\/td>\n<\/tr>\n<tr>\n<td><em>Copyrights<\/em><\/td>\n<td>Folamour \u2013 ARTE France \u2013 2018<\/td>\n<\/tr>\n<tr>\n<td><em>Broadcasters<\/em><\/td>\n<td>ARTE<\/td>\n<\/tr>\n<tr>\n<td><em>Trailer<br \/>\n<\/em><\/td>\n<td>Tom Bourgeois<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\n<div id=\"argenta-custom-69e18e8c6ebc7\"  >\n\t<p><strong><em>Protagonists :<\/em><\/strong><strong><em>\u00a0<\/em><\/strong><\/p>\n<ul>\n<li>Deniz ERG\u00dcVEN, Director<\/li>\n<li>Charles GILLIBERT, Producer<\/li>\n<li>\u0130layda AKDO\u011eAN, actress<\/li>\n<li>Do\u011fa DO\u011eU\u015eLU actress<\/li>\n<li>G\u00fcne\u015f \u015eENSOY, actress<\/li>\n<li>Elit \u0130\u015eCAN, actress<\/li>\n<li>Tu\u011fba SUNGURO\u011eLU, actress<\/li>\n<li>Nihal KOLDA\u015e, actress<\/li>\n<li>Gaye PETEK, sociologist<\/li>\n<li>Suzanne MARROT, actress coach<\/li>\n<li>Edouard WAINTROP, Director of the Directors&#8217; Fortnight, Cannes<\/li>\n<\/ul>\n<\/div>\n\n<\/div><div class=\"tab-box-item\" data-tab-box-title=\"Synopsis\" id=\"1554716602123-29c0f331-e6d8\">\n\t<div id=\"argenta-custom-69e18e8c6ec8a\"  >\n\t<p>In a village in today&#8217;s rural Turkey, five sisters rebel against their family and an oppressive patriarchal order. The Franco-Turkish filmmaker Deniz Gamze Erg\u00fcven directed his debut film <em>Mustang<\/em> in the aftermath of the 2013 events in Istanbul&#8217;s Taksim Square. A sensation at the Cannes Film Festival in 2015 and selected to represent France the following year at the Hollywood Oscars, this impetuous film is particularly topical at a time when the Turkish regime is becoming tougher and Turkish women are victims of retrograde attacks from the religious and conservative authorities. Amine Mestari&#8217;s documentary film, the 44th in the collection &#8220;A Film and its Era&#8221; created by Marie Genin and Serge July, recounts the history of this film, its partly autobiographical character, and through it, the growing tensions between tradition and modernity, between East and West, between secularism and religiosity, between city and countryside, which characterize Turkey&#8217;s contemporary society.<\/p>\n<\/div>\n\n[vc_empty_space]<\/div>\t\n\t<\/div>\n<\/div>\n\n[vc_video link=&#8221;https:\/\/vimeo.com\/269626338&#8243;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1555402702391{margin-top: 70px !important;}&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;8109&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_video link=&#8221;https:\/\/vimeo.com\/269626338&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":8109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77,84,79],"tags":[],"class_list":["post-8108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue-en","category-mestari-en","category-tv-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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