{"id":11416,"date":"2023-09-26T12:10:06","date_gmt":"2023-09-26T10:10:06","guid":{"rendered":"https:\/\/www.folamour.fr\/?p=11416"},"modified":"2023-09-26T12:11:29","modified_gmt":"2023-09-26T10:11:29","slug":"claire-duguet-2","status":"publish","type":"post","link":"https:\/\/www.folamour.fr\/en\/2023\/09\/26\/claire-duguet-2\/","title":{"rendered":"CLAIRE DUGUET"},"content":{"rendered":"[vc_row css=”.vc_custom_1555402640080{margin-top: 70px !important;}”][vc_column]
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CLAIRE DUGUET<\/h3>\n\n\t\n\t\n\t\t\t

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After completing a master\u2019s degree in theoretical physics and a bachelor\u2019s degree in art history, Claire Duguet joined the Louis Lumi\u00e8re School, image department (1999-2002).<\/span><\/div>\n
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In 2001, she met Agn\u00e8s Varda for whom she filmed regularly until \u201cVisages, Villages\u201d(Faces, Villages<\/em>) (2017).<\/p>\n

From 2003 onwards, Claire Duguet began shooting portraits of women all over the world with Titouan Lamazou. Author-director of documentary films since 2006, she has further developed her practice of playwriting by participating in the fiction scriptwriting workshop of La F\u00e9mis (2014).<\/p>\n

Among her productions are portraits of Michel Rocard and Carole Bouquet (Empreintes collection, France 3), \u201cDuel: Truffaut \u2013 Godard\u201d (2015) and \u201cLa Turbulence Rodin\u201d (The Rodin Turbulence<\/em>) (2017). She also directed \u201cAn American named Kazan<\/strong>\u201d for Folamour (Arte, 2019).<\/p>\n<\/div>\n<\/div>\n\n<\/div>

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\n\t\t\t\t\n\t\t\t\"THE\n\t\t<\/a>\n\t\t\t<\/div>\n\n\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\tCatalogue\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\tDUGUET\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\tTV\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\n\t\t\n\t\t\t

\n\t\t\t\tTHE INNER ODYSSEUS OF JAMES GRAY<\/a>\n\t\t\t<\/h3>\n \n\t\t\t\t

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